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    Movie Sentimental Value
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    7.5 of 10 (1065 reviews)
    sentimental-value-2025
    HD Movie min

    Sentimental Value - Watch Movie

    Sisters Nora and Agnes reunite with their estranged father, the charismatic Gustav, a once-renowned director who offers stage actress Nora a role in what he hopes will be his comeback film. When Nora turns it down, she soon discovers he has given her part to an eager young Hollywood star.

    Type:
    Movie
    Genre:
    Drama,
    Release Date:
    Aug 20, 2025
    Director:
    Joachim Trier,
    Writer:
    Eskil Vogt, Joachim Trier,
    Cast:
    Renate Reinsve, Stellan Skarsgård, Inga Ibsdotter Lilleaas, Elle Fanning, Andreas Stoltenberg Granerud, Øyvind Hesjedal Loven, Anders Danielsen Lie, Cory Michael Smith, Catherine Cohen, Jesper Christensen, Lena Endre, Lars Väringer, Pia Borgli, Jonas Jacobsen, Ida Marianne Vassbotn Klasson, Vilde Søyland, Mari Strand Ferstad, Julia Küster, Haakon Norum Albech, Rémi Alexandre, Sacha Slengesol Balgobin, Mikkel Knutsen Bjaadal, Bente Børsum, Camille Constantin Da Silva, Ingrid Jørgensen Dragland, Erling Eggen, Live Frøysnes, Lazare Gousseau, Mona Huang Høivik, Amalie Ibsen Jensen, Martha Kjørven, Kirsten Kvalø, Vincent Le Prêtre, Gard Løkke, Torunn Meyer, Mone Mikkelsen, Tord Moberg, Bjørn Alexander, Ingunn Beate Øyen, Håkon Mathias Vassvik, Stine Fevik, Seda Witt, Vetle Bergan, Olav Waastad, Deniz Kaya, Liv Bernhoft Osa, Håkon Ramstad, Øystein Røger, Torbjørn Davidsen, Per Bogstad Gulliksen, Alix Poisson, Ingrid Vollan, Gunnar Strand, Parham Nikseresht,

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    Latest Reviews

    Manuel São Bento 13/10/2025

    FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/sentimental-value-review-joachim-triers-profound-meditation-on-art-grief-and-forgiveness/ "Sentimental Value is, ultimately, a mature and profoundly moving movie that resonates with the authorial mark of Joachim Trier. The film triumphs thanks to the strength of its narrative and the excellence of the four central performances. It's a meditation on inherited pain, the intricate cost of artistic creation, and the difficult, yet essential, path to forgiveness and reconciliation. The assured direction and the melancholic atmosphere consolidate Trier's position as one of the most skillful chroniclers of human fragility. It's a story that feels familiar, intimate, and, above all, reminds us that true sentimental value lies in the irreducible and, at times, painful bonds that define us." Rating: B+

    Brent Marchant 15/11/2025

    When a film has the capacity to provide a template for overcoming domestic discord, promoting forgiveness and helping to heal one’s past, it’s to be truly commended for going beyond being mere entertainment or even an admired artform. It aspires to become a noble, laudable cinematic godsend, one verging on providing a valuable service to those requiring much-needed guidance and direction in their lives. At the risk of exaggeration, such is the case with the latest offering from writer-director Joachim Trier, arguably the best work of his storied career. When aging, esteemed Scandinavian filmmaker Gustav Borg (Stellan Skarsgård) unexpectedly reconnects with the family from which he has long been estranged, his two adult daughters, Nora (Renate Reinsve) and Agnes (Inga Ibsdotter Lilleaas), are baffled by his sudden reentry into their lives. After years of conflict and incessant arguing with his wife, Gustav departed without warning, leaving his now-recently deceased spouse to raise their two daughters on her own. Despite the challenges associated with such circumstances, Nora would go on to become a successful, if troubled and lonely, stage actress, while Agnes went on to live a comparatively stable life as a wife and mother. Gustav, meanwhile, launched into a noteworthy filmmaking career, though, due to the onset of failing health and problem drinking, he hasn’t worked on a new project for some time. However, with his re-emergence into his daughters’ lives, he now hopes to change that – by making a movie that he views as a legacy production, a less-than-veiled autobiographical piece that he claims to have written for Nora and for which he would like her to play the lead. But, given the longstanding bitterness between Nora and her father, she turns him down, a major setback for his plans to proceed – that is, until Gustav meets a young American rising star, Rachel Kemp (Elle Fanning), to whom he offers the part. The director’s casting choice, in turn, unleashes a barrage of new emotional turmoil, some of which involves rehashing the past and other parts of which uncover new, previously concealed issues involving both Gustav and his daughters, as well as family members from his own past. At the same time, taking on the role of Gustav’s protagonist pushes Rachel to examine her role in this complex scenario, both for the development of her own career as an actress and how she fits into what is clearly a metaphorical vehicle for sorting out Borg family drama. As challenging as all of this can be for everyone involved, however, it also provides the players with an opportunity for healing, personal and professional growth, and a fresh start for the future. The question is, can they rise to the occasion? Filmmaker Trier thus embarks on a rather involved storyline (sometimes a little too involved for its own good), but the narrative nevertheless eagerly takes on the ambitious task of intertwining various aspects of art and life and how one might be drawn upon to address the challenges and opportunities of the other. While the picture might potentially be seen as a little overlong, the director manages to successfully cover considerable ground without belaboring his material or incorporating extraneous elements. Moreover, the deftly penned screenplay effectively keeps the picture from becoming too heavy-handed through the inclusion of strategically placed comic relief, including several delightfully witty nudges at a well-known Scandinavian furniture retailer. These assets are further enhanced by this release’s gorgeous, creative cinematography and the superb performances of its fine cast, particularly Reinsve, Skarsgård and Fanning, all of whom turn in decidedly award-worthy portrayals representing some of the best work of their respective careers. As the winner of the Grand Prize of the 2025 Cannes Film Festival and a nominee for the event’s Palme d’Or (the festival’s highest honor), “Sentimental Value” is yet another standout effort from this gifted Norwegian filmmaker, one very much in the same vein as – if not, arguably, even better than – his eminently praiseworthy previous offering, “The Worst Person in the World” (“Verdens verste menneske”) (2021). Keep an eye on this one as movie awards season unfolds.

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