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    Movie Funny Face
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    6.978 of 10 (744 reviews)
    funny-face-1957
    HD Movie min

    Funny Face - Watch Movie

    A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model.

    Type:
    Movie
    Genre:
    Music, Comedy, Romance,
    Release Date:
    Feb 13, 1957
    Director:
    Stanley Donen,
    Writer:
    Leonard Gershe,
    Cast:
    Audrey Hepburn, Fred Astaire, Kay Thompson, Michel Auclair, Robert Flemyng, Dovima, Suzy Parker, Sunny Hartnett, Jean Del Val, Virginia Gibson, Sue England, Ruta Lee, Alex Gerry, Bess Flowers, Iphigenie Castiglioni, Bert Stevens, Harold Miller, Franklyn Farnum, Brandon Beach, Carole Eastman, Leoda Richards, Marion Gray, Marilyn White, Oliver Cross, Charles Fogel, Sam Harris, Marcel De La Brosse, Louise Glenn, Caryl Lincoln, Forbes Murray, Paul Smith,

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    Latest Reviews

    CinemaSerf 27/06/2022

    Despite the presence of Audrey Hepburn and Fred Astaire, I think this film actually belongs to Kay Thompson. She plays really well as the 1950s version of Dame Anna Wintour in this amiable, if a little thinly spread, musical comedy. Infuriated by the rather drab quality of her latest "Quality" magazine, she determines to revamp the whole thing. In pink! A bookshop being used for a photo shoot by "Avery" (Astaire) provides the unlikely source for her new model - "Jo" (Hepburn) who is to the fashion industry what Herod was to babies. "Avery" is clever, though, and he offers a trade off that sees her do a shoot in Paris in return for a meeting with "Prof. Flostre" (Michel Auclair). What now ensues is all fairly predictable, a love triangle with "Jo" in the middle vacillating. George & Ira Gerschwin provided the musical numbers, and though they are very well staged, the film lacks a killer song. That said, Thompson is on super form as the no-nonsense boss, the dance numbers are colourful and energetic and finally, Hepburn has a lovely vivacity and enthusiasm to her performance - she takes to the musical numbers very much like a duck to water. Astaire isn't at his best, and Robert Flemyng's accent isn't the best either - but at the end, the whole thing falls into place with an enjoyable certainty.

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