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7.512 of 10 (983 reviews)

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The Invisible Man (1933) - Watch Movie

After experimenting on himself and becoming invisible, scientist Jack Griffin, now aggressive due to the drug's effects, seeks a way to reverse the experiment at any cost.

Type:

Movie

Genre:

Horror, Science Fiction,

Release Date:

Oct 31, 1933

Director:

James Whale,

Writer:

R.C. Sherriff (Screenplay), H. G. Wells (Novel),

Cast:

Claude Rains, Gloria Stuart, William Harrigan, Henry Travers, Una O'Connor, Forrester Harvey, Holmes Herbert, E. E. Clive, Dudley Digges, Harry Stubbs, Donald Stuart, Merle Tottenham, Robert Adair, Edgar Barrier, Ted Billings, Walter Brennan, Robert Brower, Mae Bruce, Rita Carlyle, John Carradine, D'Arcy Corrigan, Jack Deery, Dwight Frye, Mary Gordon, Bobby Hale, Stuart Hall, Tiny Jones, Violet Kemble Cooper, Crauford Kent, Paul Kruger, John Merivale, Monte Montague, Jack Montgomery, Charles Morton, Bob Reeves, Jack Richardson, Tom Ricketts, Kathryn Sheldon, Emma Tansey, Jameson Thomas, Leo White, Bert Young,

Latest Reviews

John Chard 26/09/2018

It alters you, changes you. There's a snow storm blowing ferociously, a man trundles towards a signpost that reads Iping. He enters a hostelry called The Lions Head, the patrons of the bar fall silent for the man is bound in bandages. He tells, not asks, the landlady; "I want a room with a fire". This man is Dr. Jack Griffin, soon to wreak havoc and be known as The Invisible Man. One of the leading lights of the Universal Monster collection of films that terrified and enthralled audiences back in the day. Directed by genre master James Whale, The Invisible Man is a slick fusion of dark humour, berserker science and genuine evil. Quite a feat for a film released in 1933, even more so when one samples the effects used in the piece. Effects that are still today holding up so well they put to shame some of the toy like expensive tricks used by the modern wave of film makers. John P. Fulton take a bow sir. After Boris Karloff had turned down the chance to play the good doctor gone crazy, on account of the role calling for voice work throughout the film only, except a snippet at the finale, so Whale turned to Claude Rains. Small in stature but silky in voice, Rains clearly sensed an opportunity to launch himself into Hollywood. It may well be, with Whale's expert guidance of course, that he owes his whole career to that 30 second appearance of his face at the end of the film? As was his want, Whale filled out the support cast with odd ball eccentrics that are acted adroitly by the British & Irish thespians. Una O'Connor, Forrester Harvey, Edward E. Clive and Henry Travers are memorable. While American Gloria Stuart as the power insane Griffin's love interest is radiant with what little she has to do. Based on the now famous story written by H.G. Wells, Whale and R. C. Sheriff's (writer) version remains the definitive Invisible Man adaptation. There's some changes such as the time it is set, and Griffin is not the lunatic he is in the film, which is something that Wells was not too pleased about in spite of liking the film as a whole, but it's still very tight to the source. Sequels, TV series and other modern day adaptations would follow it, but none are as shrewd or as chilling as Whale's daddy is. 9/10

tmdb28039023 27/08/2022

We all know that necessity is the mother of invention, but there is another saying in Spanish that roughly translates to ‘sloth/laziness is the mother of all vices’ (the closest English equivalent I can think of is ‘idle hands are the devil’s playground’). I would say that the link between invention and laziness is largely computer-generated; that’s why a near-100 year-old movie such as The Invisible Man looks better than any modern CGI extravaganza, and it does so because it’s all there – even when it isn’t. Jorge Luis Borges once wrote about all the trouble that H.G. Wells’s Invisible Man has to go to (wigs, dark glasses, fake noses and beards, etc.) so that people can’t see that they can’t see him. Director James Whale went to similar great lengths to make sure we can see that there is someone we can’t see, and the sheer mechanical ingenuity devoted to making the titular character a tangible physical presence reminds me of the biblical admonition that “ye shall know them by their fruits”; Dr. Jack Griffin (Claude Rains) certainly puts the phrase ‘conspicuous by his absence’ in an entirely different perspective. The flawlessness of the whole enterprise is made even more impressive when we consider that it was achieved with wires that had to be kept out of the shot because the technology to digitally delete them obviously didn’t exist yet. Other optical effects, involving the Invisible Man himself as opposed to his interactions with other people and objects, are less convincing, and at the same time aren’t – that is to say, any less convincing than today’s green screens, motion capture, and other assorted VFX. The other major factor that sells the film is Rains’s performance. He evidently can’t emote (we only see his face until the very last shot, and even then in the stillness of death), but he more than makes up for that, first with body language – a category wherein I feel compelled to include the sight of Griffin’s (as Borges might say) autonomous pants skipping down a country road –, and later with his disembodied voice, which he contorts to fully convey the extent of the character’s madness.

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