6.677 of 10 (1045 reviews)

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Hillbilly Elegy - Watch Movie

An urgent phone call pulls a Yale Law student back to his Ohio hometown, where he reflects on three generations of family history and his own future.

Type:

Movie

Genre:

Drama,

Release Date:

Nov 09, 2020

Director:

Ron Howard,

Writer:

Vanessa Taylor,

Cast:

Gabriel Basso, Amy Adams, Glenn Close, Haley Bennett, Freida Pinto, Bo Hopkins, Owen Asztalos, Jesse C. Boyd, Stephen Kunken, Keong Sim, Morgan Gao, Ethan Suess, Jono Mitchell, Bill Kelly, David Dwyer, Sarah Hudson, Ted Huckabee, Nathan Hesse, Max Barrow, Sunny Mabrey, Brett Lorenzini, Tierney Smith, Helen Abell, Kinsley Isla Dillon, Ryan Homchick, Joshua Stenvick, Bill Winkler, Chase Anderson, Amy Parrish, Ed Amatrudo, David de Vries, Holly Morris, Brandon Hirsch, David Alexander, Alexander Baxter, Steven Reddington, Angelo Reyes, John Rymer, Abigail Rose Cornell, Lowrey Brown, Hunter James Evers, Riley McNerney, Zele Avradopoulos, David Jensen, Skylar Denney, John Whitley, Zac Pullam, Shane Donovan Lewis, Mike Senior, William Mark McCullough, Dylan Gage, Hannah Pniewski, David Marshall Silverman, Jason Davis, Joshua Brady, Cory Chapman, Tatom Pender, Cathy Hope, David Atkinson, Adam Murray, Dianna Craig, Emery Mae Edgeman, Rohan Myers, Matthew Alan Brady, Lucy Capri, Deja Dee, Daniel R. Hill, Jordan Trovillion, Yossie Mulyadi, Alisa Harris, Tiger Dawn, Darla Robinson, Belinda Keller, Jessie Faye Shirley, Cheryl Howard, Tim Abou-Nasr, Leland Thomas Griffin, Drew Emerson Jones, Justin P. Turner, Joshua T. Schneider, Tony Ward, Mara Hall, Tess Malis Kincaid, Chris Charm, Mary Kraft, Suehyla El-Attar Young, Matthew Withers, Jessica Miesel, Benjamin Rapsas,

Latest Reviews

Manuel São Bento 18/11/2020

If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com This film is based on a memoir of the same title written by J.D. Vance, the man who gives name to the main character or, in better words, the character whose point of view is what the movie describes. As I always do, my preparation for any film means I don't watch trailers nor try to know too much about the story. I knew this movie was based on a supposedly true story or in some sort of book, and I knew that this could very well be an Oscar-bait due to the talented cast and late date of release. That's it. I had no idea about its political background nor Vance's personal statements. I'm from Portugal, so I don't live in a Republicans vs. Democrats or a Red vs. Blue country. Politics is and always will be an extremely irrelevant, depressing, unimpactful topic in my life. I don't live in the USA, so unless the controversies surrounding films are global problems, I couldn't care less about them. To me, Hillbilly Elegy looked like another family melodrama featuring lousy parenting, drug addiction, bullying, discrimination, and all those formulaic plot points developed in this type of movie. Expectations-wise, I couldn't avoid the first (tremendously negative) reactions from fellow critics on social media, so I prepared myself for the worst. However, there's a reason why I wrote this prologue above, explaining my origins and what I consider to be important in my personal life... Not trying to justify other people's opinions (everyone has their own right to love/hate any film for whatever reasons they choose to), but it feels awfully clear to me that a lot of American critics were influenced by the real-life J.D. Vance, his memoir, and what some people interpreted about his point of view. I repeat: everyone is in their own right to hate this movie (it has more than enough reasons to, and I'll get to those), but I find "the worst film of the year" statement as exaggerated as the movie's overdramatic sequences. My biggest issues with Hillbilly Elegy concern its editing choices and its looping narrative structure, besides its generic developments of known cliches. Starting with the first problem, Ron Howard (Solo: A Star Wars Story) should have managed to create a really great film from the original story. At its best, Hillbilly Elegy could have been a heartbreaking account about the emotional struggles of living in such a violent, problematic family and about trying to escape this harsh lifestyle and reaching a better life overall. However, the constant flashbacks to J.D.'s young life damage the viewer's connection to the character and the rest of his family members, especially his mom, Bev. The non-stop back-and-forward in the timeline breaks the movie's pacing (James D. Wilcox's editing lacks consistency and coherence) and leads me to my next issue. The entire film is a cycle of dramatic scenes quickly escalating to unbelievable actions. From the repetitive drug abuse and consequent relapses to the horrible parenting displayed in the most random of fashions (in one minute everything's fine, in the next one, chaos ensues), Vanessa Taylor couldn't break her screenplay loop, and Ron Howard failed to realize these sequences in a distinguished manner. In addition to all of this, Hillbilly Elegy also does very little to avoid the common formulas regarding this type of narrative, possessing zero surprises throughout the entire runtime, ultimately being entirely predictable practically from the beginning. Nevertheless, as I mentioned before, this is far from being a contender for the worst piece of cinema in 2020. In fact, it might even get some nominations in the awards season, including the Oscars. As usual with "real-life stories", their cinematic adaptations always fill the end credits with images or videos of the real people portrayed in the movie. It's easy to notice the impressive work made by the make-up department. Glenn Close looks incredibly similar to the real Mamaw, and her charismatic portrayal is definitely getting her some nominations, at least in other ceremonies besides the main ones. She delivers yet another emotionally compelling performance, packed with powerfully handled dialogues, detailed expressiveness, and a phenomenal physical display. Amy Adams (Justice League) doesn't fall behind. If Glenn Close has chances as a supporting role, Amy Adams might receive a few Best Actress nominations. Her character, Bev, doesn't receive a fair treatment script-wise, but Adams tries her best to compensate for that flaw. Her performance might be considered extremely over-the-top for many viewers, and I do acknowledge some exaggeration in a couple of scenes, but overall, she delivers a superb interpretation. Gabriel Basso is also pretty great as J.D. (as is Owen Asztalos), same for Haley Bennett (The Devil All the Time) as Lindsay. Hans Zimmer and David Fleming's score is sweet, but it doesn't get too many moments to shine. In the end, Hillbilly Elegy suffers from its formulaic narrative stuck in a tiresome loop of overdramatic scenes that escalated incomprehensibly way too fast. The predictable melodrama features questionable editing decisions that hurt the film's pacing and overall story consistency, as well as the viewer's emotional bond with the characters. Ron Howard and Vanessa Taylor fail to depict an interesting premise in a distinctly captivating manner, consequently resorting to the award-worthy performances of Amy Adams and Glenn Close to save the whole movie from total disaster. In addition to the outstanding displays from the two actresses, the remarkable performances from the remaining cast elevate the flawed screenplay, ultimately delivering a few scenes worth hanging on to. Technically, impressively accurate make-up (guaranteed awards buzz) and a lovely score deserve a much better film. I still recommend it to everyone who enjoys melodramatic family stories, but don't expect anything remotely special. Rating: C+

r96sk 29/12/2020

Interesting and hearty story, which helps 'Hillbilly Elegy' overcome the fact it probably isn't that great a film as a whole. I enjoyed watching the cast. Gabriel Basso gives a good performance in the role of J. D. Vance, though is outshone by Owen Asztalos; who plays the younger version of Vance. Elsewhere, star names Amy Adams and Glenn Close support strongly. Freida Pinto is even involved, albeit in a minor and largely unimportant part. I don't love the way the story is told, or some of the elements it tries to force through. I did find myself caring for the lead character though, as well as feeling suitably invested in seeing the plot unfold. There's a nice score in there, also. I'd say it's a good film, nothing more or less.

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