5.882 of 10 (1558 reviews)

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Blonde - Watch Movie

From her volatile childhood as Norma Jeane, through her rise to stardom and romantic entanglements, this reimagined fictional portrait of Hollywood legend Marilyn Monroe blurs the lines of fact and fiction to explore the widening split between her public and private selves.

Type:

Movie

Genre:

Drama,

Release Date:

Sep 16, 2022

Director:

Andrew Dominik,

Writer:

Andrew Dominik, Joyce Carol Oates (Novel),

Cast:

Ana de Armas, Adrien Brody, Bobby Cannavale, Garret Dillahunt, Sara Paxton, Lucy DeVito, Julianne Nicholson, Scoot McNairy, Xavier Samuel, Caspar Phillipson, Evan Williams, Rebecca Wisocky, Toby Huss, Catherine Dent, Haley Webb, Dan Butler, Tygh Runyan, David Warshofsky, Lily Fisher, Michael Masini, Chris Lemmon, Ned Bellamy, Sonny Valicenti, Colleen Foy, Tatum Shank, Andrew Thacher, Dominic Leeder, Lidia Sabljic, Isabel Dresden, Skip Pipo, Tyler Bruhn, Ravil Isyanov, Tim Ransom, Judy Kain, Time Winters, Rob Brownstein, Danielle Jane Darling, Rob Nagle, Emil Beheshti, Jeremy Shouldis, Ethan Cohn, Steve Bannos, Mike Ostroski, Danielle Lima, Christopher Kriesa, Eric Matheny, Jerry Hauck, Scott Hislop, Dieterich Gray, Kiva Jump, Patrick Brennan, Chris Moss, Ryan Vincent,

Latest Reviews

CinemaSerf 24/09/2022

What a truly disappointing film this is. It offers us a really slow, sterile and disjointed - almost episodic - depiction of just how Marilyn Monroe's life might have panned out. For a start, I couldn't decide whether Ana de Armas was really Lady Gaga or Scarlett Johansson (both of whom would have acquitted themselves better, I'd say) as she offers an admittedly intense, but remarkably uninvolved performance. We move along from chapter to chapter in her life hindered by some fairly weak and uninspiring dialogue and seriously intrusive scoring in what becomes an increasingly shallow and lacklustre fashion. The photography does try hard - it does offer us a sense of intimacy, but the whole thing is presented in such a stylised and un-natural manner that it is frequently difficult to tell whether she is/was a "real" woman. Her marriages are treated in an almost scant manner - and her relationship with JFK is reduced to something rather implausibly one-sided and sordid showing nothing of how their relationship might have come to be. It has no soul, this film. Aside from her glamour - which was, even then, hardly unique we are not really introduced to any of the nuances of her character, we are left guessing a lot of the time as to just how she did become such a superstar, and how she spiralled so inevitably into a maelstrom of booze and pills. It relies to a considerable extent on the viewer's existing knowledge of, and affection for, this flawed lady. Adrien Brody and Bobby Cannavale don't really have much chance to add anything as her husbands and the highly speculative relationship between her and Charlie Chaplin Jnr (Xavier Samuel) and his sexually ambiguous partner-in-crime Edward G Robinson Jr (Scoot McNairy) does suggest something of the rather profligate and debauched existence that some lived in Hollywood, but again their characters are also largely undercooked and again, we are largely left to use our own imagination. It is far, far too long and in a packed cinema, I could see people looking at the ceiling just once too often. Watchable, certainly, but a real missed opportunity to offer us something scintillating and tantalising about this most of iconic of women.

Martín Acosta 02/10/2022

In the middle of 2022, the movie I was looking forward to the most was '**Blonde**', but... I'm really disappointed. The film has nowhere to hold on, it's just a fictional compilation of the supposed life of **Marilyn Monroe**, where we don't get context and it's easy to get lost through the scenes and the large number of characters (_which if you didn't know the story, you wouldn't really know who they are_) of a feature film of almost three hours. The direction is good, although quite experimental where sometimes elements that seem to come out of nowhere are combined. Not to mention the constant switching between color and black/white that doesn't seem to represent anything concrete. **Ana de Armas's** performance is brilliant, by far the best of the film, despite how poor her character is. I'm really disappointed, in these times we live in, designing a movie about **Marilyn Monroe** could have contained a much more powerful message. The story of a woman who went through the sexualization of the industry in the 50's. Instead the film only seems to add fuel to the fire by showing nudity at any time and sometimes for no reason. Based on a story in parts fictitious, with a vision, in my opinion, poorly focused, they make 'Blonde' a great disappointment.

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