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    Movie Repo Man
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    6.663 of 10 (699 reviews)
    repo-man-1984
    HD Movie min

    Repo Man - Watch Movie

    A down and out young punk gets a job working with a seasoned repo man, but what awaits him in his new career is a series of outlandish adventures revolving around aliens, the CIA, and a most wanted '64 Chevy.

    Type:
    Movie
    Genre:
    Comedy, Science Fiction,
    Release Date:
    Mar 02, 1984
    Director:
    Alex Cox,
    Writer:
    Alex Cox,
    Cast:
    Emilio Estevez, Harry Dean Stanton, Tracey Walter, Olivia Barash, Sy Richardson, Susan Barnes, Fox Harris, Tom Finnegan, Del Zamora, Eddie Velez, Zander Schloss, Jennifer Balgobin, Dick Rude, Miguel Sandoval, Vonetta McGee, Richard Foronjy, Bruce White, Sue Kiel, Helen Martin, Angelique Pettyjohn, Con Covert, Biff Yeager, Ed Pansullo, Jon St. Elwood, David Chung, Cynthia Szigeti, Jonathon Hugger, Dale Reynolds, Dolores DeLuce, Luis Contreras, Alex Cox, Michael Nesmith, Steve Mattson, Thomas Boyd, Charles Hopkins, Kelitta Kelly, Varnum Honey, Dorothy Bartlett, Sharon Gregg, Jac McAnelly, Jimmy Buffett, Shep Wickham, Gregg Taylor, Jon Fondy, Keith Miley, Michael Bennett, Brad Jamieson, Janet Chan, Logan Carter, Laura Sorrenson, George Sawaya, Connie Ponce, Bob Ellis, Quentin Gutierrez, Richard Furukawa, 'Earthquake' Hesson, Keith Morris, Greg Hetson, Chuck Biscuits, Earl Liberty, Clyde Grimes, Chuck Askerneese, Kevin Long, Jerry Miller, Rob Lampron, Josh Harris, Herman Askerneese, Kim Williams, Michele Person, Wally Cronin, Monona Wali, Cosmo Mata, Rodney Bingenheimer, Jorge Martínez, Melanie Schloss, Nancy Richardson,

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    Latest Reviews

    John Chard 19/04/2015

    It happens sometimes. People just explode. Natural causes. Repo Man has become one of those films where even though it was savaged by many critics of the time (not Ebert, he loved it), was met with very poor box office as well, but now everyone seems to shout that they loved it back then, always have! It is the very definition of a "cult movie", a pic that went underground and found its audience, so much so it burst back above ground and today is still being discovered by an ever intrigued movie loving audience. Repo Man was one of a kind, a film that refused to be pigeon holed, a true original. Story for what it's worth has Emilio Estevez as L.A. punk Otto Maddox who gets bluffed into a repo man job. Taken under the wing of Bud (Harry Dean Stanton), Otto gets to become a fully fledged repo man, taking on all the perks and dangers that come with the territory. But when a mysterious 1964 Chevy Malibu arrives on the patch, all bets seem to be off because everyone is either after it or being disintegrated by it! The life of a repo man is always intense. OK! Where to start? Offbeat, eccentric, punk, funky, funny, smart? Repo Man is all those things, it dares to be bold and challenging, its satirical edges slicing away at film genres and American societies. Director Alex Cox (how wonderful that such an American film is directed by a British guy) fills out this scuzzy part of L.A. with hippies, freaks, punks, aliens, scientist nutters, UFO nutters, effeminate coppers and the repo men themselves, a bunch of grizzled souls hardened by life's travails, but always with a quip, a smile and a gunshot at the ready. The dialogue fizzes with cheeky derring-do, some lines even today still quotable and used in pubs and clubs across the continents. Robby Muller's cinematography has snap crackle and pop, as does the rocking soundtrack as Cox invites the likes of Iggy Pop, The Circle Jerks, Black Flag and The Plugz into his weird and wonderful world. Performances are bang on the dollar, Stanton the class act, Estevez superb, Tracey Walter proving what his fans already knew, that he's a legendary character actor. From an opening involving a pair of smoking boots, to the glowing sci-fi nirvana finale, Repo Man kicks ass. One viewing is never enough, and for sure there are those who have seen it once and hate it to the point of refusing to ever watch it again. That's a shame, because repeat viewings are essential, because the more you watch the more Cox's deliriously cheeky movie makes sense. 9/10

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