6 of 10 (869 reviews)

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Barbarella - Watch Movie

In the far future, a highly sexual woman is tasked with finding and stopping the evil Durand-Durand. Along the way she encounters various unusual people.

Type:

Movie

Genre:

Science Fiction, Adventure, Comedy, Fantasy, Action,

Release Date:

Oct 10, 1968

Director:

Roger Vadim,

Writer:

Roger Vadim (Screenplay), Vittorio Bonicelli, Brian Degas, Terry Southern (Screenplay), Claude Brulé, Clement Biddle Wood, Tudor Gates,

Cast:

Jane Fonda, John Phillip Law, Anita Pallenberg, Marcel Marceau, Claude Dauphin, Milo O’Shea, Véronique Vendell, Serge Marquand, Catherine Chevallier, Marie Therese Chevallier, David Hemmings, Ugo Tognazzi, Giancarlo Cobelli, Fabienne Fabre, Corinne Fontaine, Nino Musco, Umberto Di Grazia, Franco Gulà, Jean Saudray, Romolo Valli, Robert Rietti, Kitty Swan, Fabio Testi, Talitha Pol, Antonio Sabàto, Honey Autumn, Diane Bond, Silvana Venturelli, Carla Cassola, Joan Greenwood, María Teresa Orsini, Chantal Cachin, Fred Robsahm,

Latest Reviews

Kamurai 06/11/2020

Decent watch, might watch again, but can't recommend unless it's for a Bad Movie Night. I want to like this movie, it really might have been a great movie, once upon a time, but it still would have been a "comedy-whatever" movie, and it's humor is done well. The production value is laughable 50 years later, but even so there are odd choices most likely done for the imagery or comedic effect. It is worth noting the changes in the MPAA over the past 50 years: the movie begins with a "zero g" striptease with tits out and fully nude (I didn't look close enough to determine if the cat got out), and from then on, her tits are pretty much out for about half the run time, sometimes behind plastic or transparent fabric, but the movie is rated PG. I want to like the movie, but it's so bizarre at times, and it's not a personal story for Barbarella it's an assigned mission, so it's hard to be invested in the actual story.

Filipe Manuel Neto 29/08/2022

**Revolutionary in its time, and still highly regarded today, it is an attack on good visual taste and brings a very stupid story.** There are films that stand out because they are really very good, for the high quality of the production, the work of the actors and the story that is told. But a film doesn't become popular or iconic just for that... there are films that are so admittedly bad and strange that, in a way, they become remarkable and enter the so-called popular memory or collective memory. _Barbarella_ is a film inspired by a 60's comic book, and both the original material and the film itself were very influenced by the “hippie” culture, the libertarian ideas of May 68 and the Sexual Revolution. It was a time when eroticism became popular and massively sought after and exploited by the arts. Only if we understand this can we understand why this film is the way it is. Despite doing justice to the source material, the script tells a story so fanciful and idiotic that only someone from that time could appreciate it: Barbarella is (I really don't want to have to take this stereotype, but it's blatant) a dumb blonde, immensely attractive, who is sent by Planet Earth to another galaxy, in search of a lost scientist and the weapons he had. She comes into contact with various aliens and is almost always seduced or "convinced" into having sex. At a certain point, she becomes involved in a rebellion against a queen of a perverse city, where they try to kill her in a machine that causes an "overdose" of sexual pleasure. Obviously, this fails, and the movie ends with the blonde astronaut winning. I didn't see sex scenes in the film, but the character appears half-naked many times, which then was truly revolutionary – almost pornographic. For us, the way she is seduced is so clearly misogynistic that in some cases it would be a crime, and it's hard for me to think that the film was so calmly received, but those were other times. If this film were released now, without a doubt, it would be so controversial for its sexist sexuality that I think the feminist movements would boycott it. Also, the dialogues, the situations and the whole concept of the movie are pretty dumb. The film was a French-American production and a good part of the cast is French-speaking, and I would like to highlight, on the positive side, the participation of the great Marcel Marceau, in a small but relevant speaking role. The director was Roger Vadim, and then he was married to the actress and sex symbol Jane Fonda, who, thus, secured the protagonist role. For future memory exist the statements, by the actress and the director, about Fonda's insecurity about herself and the way she didn't feel comfortable with the character and her nudity. Even so, and despite everything, Fonda did what she could with the terrible material she was given. We can still positively highlight the contributions of John Phillip Law and Anita Pallenberg. Technically, the film stands out for its futuristic “trash” scenography, evident, for example, in the protagonist's ship and in the city of Sogo. It can be visually horrible, an attack on good taste or logic, but back then it was something quite avant-garde, as were the costumes, particularly Barbarella's sexy spacesuits (which could almost be used as bathing suits). The rest is pretty bad: the cinematography is boring and dull, the camera work is average, the soundtrack is kitsch.

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